Oh, over the years, there are so many. One would be the man — I wanted to take his job away some day — Paul Zimmerman, sports editor of the L.A. Times. Jim Murray is writing for the Times now. Red Smith. I had the honor of meeting Grantland Rice way back when I was at the University of San Francisco. When we played New York in football back in 1951. Just a lot of good sports writers became friends of mine. And I respect them a great deal.

This is not an easy question—there are many poets who are my masters. Sometimes I find a poet whose one poem speaks to me with a great force, for instance Giorgios Seferis with his “The King of Asine”, a poem that sheds light on the spiritual situation of contemporary Greek (maybe not only Greek) poetry. ... Yeats with many poems, among them the incredible “Sailing to Byzantium”; a strange poem in the sense that it’s hard to believe Yeats would find in the real Byzantium these miracles of intellect he was longing for. Montale with many poems, with his constant looking for an instant of revelation and enjoying all the impediments, all the obstacles on this road. Mandel'štam who was able to blend a tragic vision of life with a strong sense of humor and a wonderful concreteness of images.

Yes, a major one, along with Sir Georg Solti. Because they’re both Hungarian, I used to call them the Hungarian mafia. He was always onto me. “Have you bring to Vera?” And then she’d say, “Georg, he won’t be liking this bit.” And between the two of them, there was this whish-whish-whish, like sword fighting, and I was being killed by the both of them. But I enjoyed every minute of it. It was good for me.

Yeah, of course! I think they made that way back in like 1968 with an optical printer where they had to keep shooting each section. It was made for IBM. The idea of virtual travel versus physical travel, the idea of exploration.

Being hit on the head with a brick, and like a bowl of hearty soup.

I realized, I’m not doing it for the audience; I’m doing it for me. I like it. I want to be able to see if I can still do it. I want to see if I can challenge myself. I want to have a good time. With ‘Macbeth,’ I wasn’t finished with it. It wasn’t out of my system.

I really love structure and I think that one of the things I like so much about the theater is the routine. I’m looking forward to this play I’m going to do in London with Daniel Radcliffe, and just the idea that I’ll go to work at the same time every night and I know what I’ll be doing for the next few months. That’s so pleasing to me. I think everyone needs routine and structure in your life.

No, I would never say that. I would never say that I do something just in order to put a fresh spin on it or do something different with it. I am drawn to certain plays because I think there’s something about them in the story that I want to tell, or that I think is relevant—something that strikes me. With Macbeth, I’m not doing this because I want to do a crazy interpretation or production.

Well, you have to learn to say no. Certain times you have to think, all right, line in the sand. It’s a gut thing. There’s no rhyme or reason to it. I’m going to do this Beckett Play in London with Daniel Radcliffe. He said this really interesting thing about how he feels that he’s lucky enough that when he chooses a part, that he only does something that he thinks he can bring something to. I think that’s really good, if you have that choice.

Dying on the same day as someone much more famous than me.