When I’m in writing mode for a novel, I get up at four a.m. and work for five to six hours. In the afternoon, I run for ten kilometers or swim for fifteen hundred meters (or do both), then I read a bit and listen to some music. I go to bed at nine p.m. I keep to this routine every day without variation. The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind. But to hold to such repetition for so long—six months to a year—requires a good amount of mental and physical strength. In that sense, writing a long novel is like survival training. Physical strength is as necessary as artistic sensitivity.

I begin each morning, I do every single morning exactly the same way, I begin each morning by doing my highest priority work first. I have a very clear priority list and I start from the highest priority work first. Before I even get to work, my day is already a success. I've already completed my most important work and can dedicate my day to helping others.

Apenas me despierto, a las 5:00 a. m., cuando voy a hacer deporte. Es lo primero que cojo cuando me despierto. No es la mejor práctica, pero sí desde tempranito.

Simple. I ran to school. There was no other way to get to it, so I, all of us, ran to school each day. We lived in the countryside and had to go to the town to school. And as it happens with school, you'd get late. It was not easy being on time when you have to run 10km every morning. To reach at 8 am, I would start at 6.30 am, and there would be a punishment waiting for you, or worse, they would ask you to get your parents to school.

Many creative people, especially the young, may feel their chaotic or disordered relationship with the world is indispensable to their creative freedom. The more anarchic, the better! However, after considerable fieldwork in this area, I have yet to find it so. I have come to understand that the muscle of the imagination is strengthened through resistance, discipline and order.

I’m envious of people who don’t need that. There are people that just wander round the world and ideas fall down from wherever, and they sit and they strum a guitar one day and they write a song, and then they carry on living. I could never work in that way.

The artistic process seems to be mythologized quite a lot into something far greater than it actually is. It is just hard labor. […] As anyone who actually writes knows, if you sit down and are prepared, then the ideas come. There’s a lot of different ways people explain that, but, you know, I find that if I sit down and I prepare myself, generally things get done.