Treat writing as a job. Be disciplined. Lots of writers get a bit OCD-ish about this. Graham Greene famously wrote 500 words a day. Jean Plaidy managed 5,000 before lunch, then spent the afternoon answering fan mail. My minimum is 1,000 words a day – which is sometimes easy to achieve, and is sometimes, frankly, like shitting a brick, but I will make myself stay at my desk until I’ve got there, because I know that by doing that I am inching the book forward. Those 1,000 words might well be rubbish – they often are. But then, it is always easier to return to rubbish words at a later date and make them better.
What is the part of your job that people would be surprised is most of your job?
Question
What is one of the best or most worthwhile investments you have ever made — of money, time, or energy?
Money & investment
Question
What is something everyone in your world agrees about that you think is wrong?
Values & belief
For me, making architecture is the same as thinking. For more than thirty years, I have been making architecture by going back and forth between ideals and reality, between the fictive and the substantive. My hope has been and continues to be, not only to solve realistic problems, but also to pursue the ideal by overlaying speculative imaginings.
Grand Trianon Palace, Versailles, 22 May 1995, The Hyatt Foundation / The Pritzker Architecture Prize, 22 May 1995 source ↗
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Sarah Waters
Novelist
Henry R. Kravis
Financier; co-founder of Kohlberg Kravis Roberts & Co.
We stress this commitment by saying, "Our job begins the day we buy a company." It's not about the transaction itself.
Haruki Murakami
Novelist, short-story writer and translator
I myself, as I’m writing, don’t know who did it. The readers and I are on the same ground. When I start to write a story, I don’t know the conclusion at all and I don’t know what’s going to happen next. If there is a murder case as the first thing, I don’t know who the killer is. I write the book because I would like to find out. If I know who the killer is, there’s no purpose to writing the story.
Tim Cook
Chief executive of Apple
In every way at every turn, the question we ask ourselves is not what can we do, but what should we do?.”
More from Tadao Ando
View profile →More than 500 children under the age of 18 lost a parent in the Hanshin Earthquake; 88 of them lost both parents and became orphans. I have proposed the establishment of a foundation in order to support the education of these children so that they can sustain their hopes for the future. To that end, I would like to contribute the hundred thousand dollar prize awarded to me today by The Hyatt Foundation towards this new foundation for these young earthquake victims.
Recorded
Grand Trianon Palace, Versailles, 22 May 1995, The Hyatt Foundation / The Pritzker Architecture Prize, 22 May 1995
source ↗
The modern architecture that I have been weaned on also espouses (clear) function, (exposed) structure, and (raw) material as principles—characteristics that tend to be accessed only from realistic or substantive dimensions. Fictionality or imagination, the other dimension, is omitted entirely. However, Vitruvius emphasized venustas, in other words attraction or beauty as a necessity along with strength and function.
Recorded
Grand Trianon Palace, Versailles, 22 May 1995, The Hyatt Foundation / The Pritzker Architecture Prize, 22 May 1995
source ↗
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