How do you balance creative work with other responsibilities?

Originally asked

The Creative Independent, to working artists, its interview series

The Creative Independent repeatedly asks working artists how they divide time between creative practice and administrative, family, or second-job obligations.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Alan Cumming said elsewhere, not written here
I do take a break, but I’ve also got – right now, I’m writing another book, another memoir [a follow-up to his bestselling book Not My Father’s Son: A Memoir], so even though I’m on a break technically, I’ve got that. I’ve got a production company so things are always rolling. I’m always spinning a lot of plates.

Paula Bernstein, Interview, Fortune, 18 November 2019 source ↗

Others on this question

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Ja’Tovia Gary visual artist and filmmaker
This process has also involved slowing down and refusing a certain amount of labor that has been imposed upon me as a Black woman in this country.
Recorded Keisha N. Knight, Filmmaker Magazine, 8 April 2021 source ↗
Cheryl Strayed Author of Wild and Tiny Beautiful Things
There are many times for three months in a row I wrote every day, but there are also many times for three months in a row I didn't write a word. What I found is I make an appointment with myself and I don't look at each day, I look at the calendar ahead.
Recorded Marie Forleo, MarieTV, Marie Forleo source ↗
Adam Zagajewski Poet and essayist
Generally, my hours are during the first part of the day; hardly ever in the evening. The hours nearer noon, the zenith of the day, are good for working.
Recorded Svetlana Gutkina, Culture.pl, 2019 source ↗
Ada Yonath Structural biologist; Nobel laureate in Chemistry, 2009
It is possible to be a good scientist, a good mother and have a family and even bake a cake.
Recorded Divya Rajagopal, BioAsia 2016, The Economic Times, 29 February 2016 source ↗

More from Alan Cumming

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Question Who helps you get things done? Craft & work
But when you say to someone, “I don't understand this and I'm asking your advice because you're better at it than me,” by doing that and involving people and making the film truly a collaborative process, you get much better results. You get a better film and you get happier people and get an atmosphere on the set that is truly creative.
Recorded John Gaspard, Interview, Fast, Cheap Film Books & More, 18 March 2026 source ↗
Question How does a new work begin for you? Craft & work
No, I would never say that. I would never say that I do something just in order to put a fresh spin on it or do something different with it. I am drawn to certain plays because I think there’s something about them in the story that I want to tell, or that I think is relevant—something that strikes me. With Macbeth, I’m not doing this because I want to do a crazy interpretation or production.
Recorded Gerry Visco, Interview Magazine, 19 April 2013 source ↗
Question Has knowing that you will die changed how you live? Death & what remains
I think the notion of a bucket list is kind of wrong, actually. If you want to do something, go and do it. Don't put it on a list and think, I want to do this before I die. What if you die tomorrow? Just go and do the things. Seize the day. A couple of years ago, I decided I'd like to do a dance piece, and I ended up doing this one-man dance-theater piece about (Scottish poet) Robert Burns. I just wanted to use my body in a different way.
Recorded Eric Spitznagel, Interview, AARP, 6 January 2025 source ↗

More on daily life

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François Ozon, Adrian Scarborough, Ja’Tovia Gary, Ephraim Asili, Leelee Kimmel, Cheryl Strayed

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