I just thought right away that I wanted to work. ... This is a good job. It's been a good job. Work is the most effective drug there can possibly be. ... I'm on the periphery of a lot of despair, of course. ... You'd have to be stupid not to be. I have my moments when I'm not too thrilled about this whole deal. But at the same time, the songs have never come like this, so I'd have to feel more gratitude than anything else. I'm probably in the intensest creative period of my life.

what’s the difference? If I die in two years’ time, what will I do between now and then which I don’t want to do now? The main reason for living longer now is for the sake of my family and my wife. And this is not rationalist bravado entirely. I’ve had a wonderful life. Yes, I’ve done a lot of things I shouldn’t have done. But you know, I’ve had a full, complete life, and there’s nothing more I can do to complete it. Dying when you’re younger is obviously a totally different situation. Or losing a child. I mean, that’s beyond words.

But in the weeks after I learned that the breast cancer I have been in treatment for over the past year had spread to my bones — breaking my spine and becoming incurable and most likely fatal — finding the perfect living-room couch has begun to feel like the most important thing I’ve ever done.

I feel a sudden clear focus and perspective. There is no time for anything inessential. I must focus on myself, my work and my friends. I shall no longer look at “NewsHour” every night. I shall no longer pay any attention to politics or arguments about global warming. This is not indifference but detachment — I still care deeply about the Middle East, about global warming, about growing inequality, but these are no longer my business; they belong to the future. I rejoice when I meet gifted young people — even the one who biopsied and diagnosed my metastases. I feel the future is in good hands.

I don’t like the concept of not being allowed to go somewhere just because you’re not part of the gang. In London, it seems like everywhere is a club. I hate the fact you’ve got to be a member of one to get a late-night drink in the center. It’s horrible. And I mean, I’m a member of one there, but I never go to it. There’s something about them that is kind of culty, actually—the idea that we are the in-crowd.

I really love structure and I think that one of the things I like so much about the theater is the routine. I’m looking forward to this play I’m going to do in London with Daniel Radcliffe, and just the idea that I’ll go to work at the same time every night and I know what I’ll be doing for the next few months. That’s so pleasing to me. I think everyone needs routine and structure in your life.

Vodka.

A couple of summers ago, walking through a forest illuminated by fireflies, with my man and our dogs.

I realized, I’m not doing it for the audience; I’m doing it for me. I like it. I want to be able to see if I can still do it. I want to see if I can challenge myself. I want to have a good time. With ‘Macbeth,’ I wasn’t finished with it. It wasn’t out of my system.

Biggest lesson; Treat people respectfully. There's a sort of vogue, and there has been for decades now, that the director is god and the director is all knowing.