How does a new work begin for you?

Originally asked

The Paris Review, to novelists and poets, The Art of Fiction

A recurrent craft question in The Paris Review's Art of Fiction interviews; wording varies between character, theme, first sentence, image, and idea.

You answer as yourself. Nobody on FLAPSS answers as anybody else.

Recorded Jeff Bezos said elsewhere, not written here
That blank sheet of paper stage is one of the hardest stages, and one of the reasons it’s hard is because at that stage there’s nobody counting on you but yourself. Today it’s easy because we’ve got millions of customers counting on us, and thousands of investors counting on us, and thousands of employees all counting on each other. In that beginning stage it’s really just you, and you can quit any time. Nobody is going to care, so you set about doing the simple things first.

Academy of Achievement interview, 2001 source ↗

Others on this question

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Ernest Greene musician, visual artist
That’s tough. At this point, with both visual art and music, I’ve done it enough where it’s very much this flow state where I’m not really thinking about any technical stuff. I’m just putting one thing down, and that leads to the next thing, and then you’re off to the races. There’s very little rationalization or any real plan, especially at the very beginning of the project. It’s literally just trying things to see where I can end up. As an album project starts shaping up, there’s a handful of songs or maybe…there’s some parameters in place, and you’re working within that.
Recorded Max Freedman, The Creative Independent interview, 27 September 2024 source ↗
Clare Sestanovich American writer
I start with the first sentence. A maddening answer, and, for my own sake, I wish I had a better one. But it’s the only way I know how: one sentence on top of the other, one foot in front of the other. In that way, writing does feel exploratory to me. I never start with a map in my head or even a destination. All I have is a sense that I’m heading in an interesting direction.
Recorded Shy Watson, The Creative Independent interview source ↗
For every painting, I first use the one-quarter inch masking tape to create the grid, dividing the surface across equally. There are four stages of taping. It begins with taping one layer on the whole canvas vertically, then proceeds the same horizontally. The next thing is to apply the selected color with a small brush, then remove the tape. Repeat this same process on the unpainted squares one more time vertically, then horizontally, then apply the last layer of colors. What I love is the degrees of surprise every time; to take each layer of tape off the canvas is to reveal new worlds of optical symphony.
Recorded Phong H. Bui, The Brooklyn Rail, In Conversation, 1 December 2023 source ↗
Jocelyn Bell Burnell Radio astronomer; discoverer of pulsars
From one particular piece of the sky an unclassifiable signal sometimes recurred and my brain started to say: “You’ve seen something like this before, haven’t you? You’ve seen something like this before from this bit of the sky , haven’t you?” I got out previous recordings from that bit of sky. It often wasn’t there, but when it was, it was keeping its place amongst the stars.
Recorded Louise Walsh, University of Cambridge 'Journeys of Discovery' interview series, 1 January 2020 source ↗

More from Jeff Bezos

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Question What is the most overrated virtue? Values & belief
What I want to talk to you about today is the difference between gifts and choices. Cleverness is a gift, kindness is a choice. Gifts are easy — they're given after all. Choices can be hard. You can seduce yourself with your gifts if you're not careful, and if you do, it'll probably be to the detriment of your choices.
Recorded Princeton University Baccalaureate, Class of 2010, 30 May 2010 source ↗

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