Technology itself does not decide what the future looks like.

One of the biggest challenges that the game must respond to today, I believe, is charting out a clear road map for the three formats. We now realise that the sport's three formats cannot be played in equal numbers - that will only throw scheduling and the true development of players completely off gear.

To me poor people are like bonsai trees. When you plant the best seed of the tallest tree in a flower-pot, you get a replica of the tallest tree, only inches tall. There is nothing wrong with the seed you planted, only the soil-base that is too inadequate. Poor people are bonsai people. There is nothing wrong in their seeds. Simply, society never gave them the base to grow on.

Now, this ideology gets policed by this one very dangerous question, which is, "What percentage of my donation goes to the cause versus overhead?" There are a lot of problems with this question. I'm going to just focus on two. First, it makes us think that overhead is a negative, that it is somehow not part of the cause. But it absolutely is, especially if it's being used for growth.

I think it begins as a kind of tension in space.  There’s something out there and it’s waiting for the big bang, and I have to get that into my head.  I have a composer friend in Ireland, and he beautifully said, “I have this scream in my head and I have to get it into the orchestra.  I have to get it into the music.”  But I wouldn’t be quite as dramatic as that.  But I have this tension.  I have this thing that has to be done. And the problem is, you see, once you’ve got the first paragraph down and you’ve got the tone, then the bloody book is written.  All you have to do is fill it in then, which makes it really boring.  I mean I’d like to be like one of those Japanese artists, you know, just go shoop ! and it’s done.  But no, it takes years.

I keep office hours. I work from 9:30 to 6:00. It’s curious. In the morning, I could just about tie my shoelaces before noon, but I can write. It’s obviously a different part of my brain that’s working.

But my own mottos are, “Don’t imagine for a moment that you’re going to be able to express yourself.” ... And most aspiring artists think, “I have something to say.”